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Pleasantville (17-Sep-1998)

Director: Gary Ross

Writer: Gary Ross

Keywords: Fantasy, Comedy

A pair of 1990s teenage siblings are transported, with the help of a peculiar TV remote control, into the 1950s sitcom Pleasantville, a complacent world without seasons, controversy, or sexual adventure. Their modern moralities and worldviews begin to color those they come in contact with. Is return to real life even possible? Received Oscar nominations for Best Set Decoration, Best Costume Design, and Best Dramatic Score. Also received a Hugo nomination for Best Dramatic Presentation.

NameOccupationBirthDeathKnown for
Joan Allen
Actor
20-Aug-1956   Mother in Pleasantville
Giuseppe Andrews
Actor
25-Apr-1979   Detroit Rock City
Jason Behr
Actor
30-Dec-1973   Max Evans on Roswell
Marc Blucas
Actor
11-Jan-1972   Riley Finn on Buffy
Jeff Daniels
Actor
19-Feb-1955   Dumb and Dumber
Jane Kaczmarek
Actor
21-Dec-1955   Pleasantville
Don Knotts
Actor
21-Jul-1924 24-Feb-2006 Barney Fife on The Andy Griffith Show
Maggie Lawson
Actor
12-Aug-1980   Juliet O'Hara on Psych
Nancy Lenehan
Actor
26-Apr-1953   Kay Hickey on My Name Is Earl
Jenny Lewis
Actor
8-Jan-1976   Katie Monahan on Brooklyn Bridge
William H. Macy
Actor
13-Mar-1950   Fargo
Tobey Maguire
Actor
27-Jun-1975   Spider-Man
Marissa Ribisi
Actor
17-Dec-1974   Dazed and Confused
Marley Shelton
Actor
12-Apr-1974   Sin City
Danny Strong
Actor
6-Jun-1974   Jonathan Levinson on Buffy
Paul Walker
Actor
12-Sep-1973 30-Nov-2013 2 Fast 2 Furious
J. T. Walsh
Actor
28-Sep-1943 27-Feb-1998 A Few Good Men
Reese Witherspoon
Actor
22-Mar-1976   Legally Blonde

REVIEWS

Review by toagt (posted on 19-Feb-2005)

This is one of the best US movies i've seen since american beauty. I'm definitly going to see Seabiscuit. The metaphor shown to us by Mr. Ross, about modern society, is only to be defined by one word: Beautiful. This is the first movie I've seen from this producer; it made me a great admirer of his work.

Keep it up. One coloured rose will change the world.


Review by Michael Seden-Hansen (posted on 20-Mar-2009)

Pleasentville focuses on two very different siblings, David and Jennifer (Tobey Maguire and Reese Witherspoon), who are transported to a strange old world. Jennifer is a fliratious tennager adept at the ins and outs of high school romance, and looking forward to her next hot date. David is socially marginal, unhappy with the grim worldview presented in school (AIDS, global warming, dim career prospects) and his distant, divorced parents, and is looking forward to an upcoming marathon of his favorite TV show, Pleasantville, a 50's family sitcom set in a squeaky-clean community of unfissionable nuclear families. With a bit of quasi-magical intervention by a jovial and enigmatic TV repairman (Don Knotts) David and Jennifer suddenly find themselves transported to Pleasntville, inhabiting the roles of Bud and Mary Sue, the siblings of the show's central family. Struggling to make sense of the situation in this black-and-white world, and aided by David's encyclopedic knowledge of the town and its residents, they try to inhabit their new roles in hopes of finding an eventual escape, and avoiding creating a calamity of disruption in the meantime. The latter proves unavoidable, as their inability to adhere (intentionally or unintentionally) to the sanitized, regimented conventions of Pleasantville cause its clockwork perfection to start to unravel, and color to start appearing in the once monochromatic, insular town, and they soon find themselves championing the change against some unexpected reactions from some of the locals. Like "The Truman Show", with Jim Carrey as the only inhabitant of the town of Seahaven unaware that it's actually a massive set, Pleasantville uses an unreal setting to get at important truths; were the good old days really so good? Is a perfectly predictable life berift of unpleasantries worth living? What could we learn about ourselves if we're willing to step outside the familiar? Add the underlying subtext to the film's simple fun of spoofing TV show conventions, a host of great supporting roles (including J.T. Walsh, in his final role), and the technical spectacle of mixing black and white with color as the town transforms, and you have a very memorable filmgoing experience.


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