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Nashville (11-Jun-1975)

Director: Robert Altman

Keywords: Drama, Music Concert, Rock and Roll

NameOccupationBirthDeathKnown for
Ned Beatty
Actor
6-Jul-1937   Deliverance
Karen Black
Actor
1-Jul-1942   Five Easy Pieces
Keith Carradine
Actor
8-Aug-1949   Thieves Like Us
Geraldine Chaplin
Actor
31-Jul-1944   Doctor Zhivago
Julie Christie
Actor
14-Apr-1941   Darling
Shelley Duvall
Actor
7-Jul-1949   The Shining
Allen Garfield
Actor
22-Nov-1939   Cry Uncle!
Henry Gibson
Actor
21-Sep-1935   Laugh-In
Scott Glenn
Actor
26-Jan-1941   The Silence of the Lambs
Jeff Goldblum
Actor
22-Oct-1952   The Fly
Elliott Gould
Actor
29-Aug-1938   Trapper John in M*A*S*H film
Barbara Harris
Actor
25-Jul-1935   Stage actress ended up in Freaky Friday
Michael Murphy
Actor
05-May-1938   An Unmarried Woman
Bert Remsen
Actor
25-Feb-1925 22-Apr-1999 American character actor
Howard K. Smith
Journalist
12-May-1914 15-Feb-2002 Face the Nation
Lily Tomlin
Actor
1-Sep-1939   Laugh-In
Keenan Wynn
Actor
27-Jul-1916 14-Oct-1986 Col. Bat Guano in Dr. Strangelove

REVIEWS

Review by Richard Conner (posted on 21-Aug-2007)

Robert Altman was an extraordinary director with a ton of popular and acclaimed films to his credit. Many evinced a directed style that was unique to Altman. None moreso that the film "Nashville" This film specializes in bringing together characters, played by quality actors, who swirl around a central theme without necessarily interacting with each other most of the time. In those cases when they do come together, exceptional interactions occur. Set in the ambiance of the country music scene in Nashville, a variety of sub-plots are explored in random fashion. These include a major political campaign, a deptiction of those at their top of the country music profession (including lots of excellent such music, some original) and many other plots, all well acted by a very large cast of prominent actors. Most viewers will recognize the bulk of such actors, even today, although ones like Ronnie Blakely, essentially introduced in the film in a major role, may not be so familiar. The interacting sub-plots go their merry way, but toward the film's end most come crashing together in fascinating and often startling collisions. This is truly a film that is difficult not to watch multiple times, even if one is not enamored by country music of the depicted era in general.


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