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Shakespeare Studies

BIBLIOGRAPHY

See also British Theatre.


Jonathan Bate. Shakespeare and Ovid. Oxford University Press. 1993. 292pp.

Bruce Boehrer. Shakespeare Among the Animals: Nature and Society in the Drama of Early Modern England. Macmillan. 2002. 212pp.

Douglas Bruster. Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. Macmillan. 2003. 279pp.

Marvin Carlson. The Italian Shakespearians: Performances by Ristori, Salvini, and Rossi in England and America. Associated University Presses. 1985. 224pp.

Maurice Charney. Shakespeare on Love & Lust. Columbia University Press. 2000. 234pp.

Herbert R. Coursen. Shakespeare Translated: Derivatives on Film and TV. Peter Lang. 2005. 173pp.

Joan Fitzpatrick. Shakespeare, Spenser and the Contours of Britain: Reshaping the Atlantic Archipelago. University of Hertfordshire Press. 2004. 182pp.

Charles R. Forker. Fancy's Images: Contexts, Settings, and Perspectives in Shakespeare and His Contemporaries. Southern Illinois University Press. 1990. 205pp.

James H. Forse. Art Imitates Business: Commercial and Political Influences in Elizabethan Theatre. Popular Press. 1993. 298pp.

Dominique Goy-Blanquet. Shakespeare's Early History Plays: From Chronicle to Stage. Oxford University Press. 2003. 312pp.

Stephen Greenblatt. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. University of California Press. 1989. 205pp.

Christopher Highley. Shakespeare, Spenser, and the Crisis in Ireland. Cambridge University Press. 1997. 246pp.

Ivo Kamps (editor). Materialist Shakespeare: A History. Verso. 1995. 342pp.

Willy Maley; Andrew Murphy (editor). Shakespeare and Scotland. Manchester University Press. 2004. 211pp.

Theodor Meron. Bloody Constraint: War and Chivalry in Shakespeare. Oxford University Press. 2000. 256pp.

Shahzad Z. Najmuddin. Shakespeare's the Tempest: Its Political Implications and the First Colonists of Virginia. Trafford Publishing. 2005. 196pp.

Leslie O'Dell. Shakespearean Scholarship: A Guide for Actors and Students. Greenwood Publishing Group. 2002. 413pp.

Peter G. Platt. Reason Diminished: Shakespeare and the Marvelous. University of Nebraska Press. 1997. 271pp.

Robert Lanier Reid. Shakespeare's Tragic Form: Spirit in the Wheel. University of Delaware Press. 2000. 191pp.

Frankie Rubinstein. A Dictionary of Shakespeare's Sexual Puns and Their Significance. Macmillan. 1995. 372pp.

Eddie Sammons. Shakespeare: A Hundred Years on Film. Scarecrow Press. 2004. 252pp.

Katherine West Scheil. The Taste of the Town: Shakespearian Comedy and the Early Eighteenth-Century Theater. Bucknell University Press. 2003. 333pp.

Rebecca Steinberger. Shakespeare and Twentieth-Century Irish Drama: Conceptualizing Identity and Staging Boundaries. Ashgate Publishing. 2008. 115pp.

Dennis Taylor; David N. Beauregard (editor). Shakespeare and the Culture of Christianity in Early Modern England. Fordham University Press. 2004. 451pp.



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