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British Cinema

BIBLIOGRAPHY


Justine Ashby; Andrew Higson (editor). British Cinema, Past and Present. Routledge. 2000. 385pp.

Charles Barr (editor). All Our Yesterdays: 90 Years of British Cinema. British Film Institute. 1986. 446pp.

Andy Boot. Fragments of Fear: An Illustrated History of British Horror Films. Creation Books. 1996. 283pp.

Stephen Bourne. Black in the British Frame: Black People in British Film and Television, 1896-1996. Cassell. 1998. 276pp.

Ivan Butler. Cinema in Britain: An Illustrated Survey. A. S. Barnes. 1973. 307pp.

Michael Chanan. The Dream that Kicks: The Prehistory and Early Years of Cinema in Britain. Routledge. 1996. 293pp.

James Chapman. Past and Present: National Identity and the British Historical Film. I. B. Tauris. 2005. 224pp.

Charles Drazin. The Finest Years: British Cinema of the 1940s. I. B. Tauris. 2007. 296pp.

Raymond Durgnat. A Mirror for England: British Movies from Austerity to Affluence. Praeger. 1971. 336pp.

Lester D. Friedman (editor). Fires Were Started: British Cinema and Thatcherism. Wallflower Press. 2006. 341pp.

Christine Geraghty. British Cinema in the Fifties: Gender, Genre and the "New Look". Routledge. 2000. 221pp.

Philip Gillett. The British Working Class in Postwar Film. Manchester University Press. 2003. 230pp.

Sue Harper. Women in British Cinema: Mad, Bad, and Dangerous to Know. Continuum International Publishing Group. 2000. 261pp.

Sue Harper; Vincent Porter. British Cinema of the 1950s: The Decline of Deference. Oxford University Press. 2007. 420pp.

Andrew Higson. Waving the Flag: Constructing a National Cinema in Britain. Clarendon Press. 1995. 322pp.

John Hill. British Cinema in the 1980s: Issues and Themes. Oxford University Press. 1999. 261pp.

I. Q. Hunter (editor). British Science Fiction Cinema. Routledge. 1999. 217pp.

Peter Hutchings. Hammer and Beyond: The British Horror Film. Manchester University Press. 1993. 193pp.

Barbara Korte; Claudia Sternberg. Bidding for the Mainstream? Black and Asian British Film Since the 1990s. Rodopi. 2004. 274pp.

Ian Duncan MacKillop; Neil Sinyard (editor). British Cinema of the 1950s: A Celebration. Manchester University Press. 2003. 236pp.

Geoffrey Macnab. Searching for Stars: Stardom and Screen Acting in British Cinema. Cassell. 2000. 216pp.

Nigel Mather. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press. 2006. 211pp.

Brian McFarlane. An Autobiography of British Cinema: As Told by the Filmmakers and Actors who Made it. Methuen. 1997. 656pp.

Robert Murphy. British Cinema of the 90s. BFI Publishing. 2000. 196pp.

Robert Murphy. Realism and Tinsel: Cinema and Society in Britain, 1939-1948. Routledge. 1992. 278pp.

Robert Murphy. Sixties British Cinema. British Film Institute. 1992. 354pp.

Robert Murphy (editor). Directors in British and Irish Cinema: A Reference Companion. British Film Institute. 2006. 644pp.

Duncan J. Petrie. Creativity and Constraint in the British Film Industry. Macmillan. 1991. 240pp.

Terence Pettigrew. British Film Character Actors: Great Names and Memorable Moments. Rowman & Littlefield. 1982. 208pp.

Tony Shaw. British Cinema and the Cold War: The State, Propaganda and Consensus. I. B. Tauris. 2006. 296pp.

Anthony Slide. Fifty Classic British Films, 1932-1982: A Pictorial Record. Courier Dover Publications. 1985. 160pp.

Gary A. Smith. Uneasy Dreams: The Golden Age of British Horror Films, 1956-1976. McFarland. 2000. 267pp.

Sarah Street. Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. 2002. 280pp.

Jerry Vermilye. The Great British Films. Citadel Press. 1980. 255pp.

Alexander Walker. National Heroes: British Cinema in the Seventies and Eighties. Harrap. 1985. 296pp.

Alexander Walker. Hollywood, England: The British Film Industry in the Sixties. London: Michael Joseph. 1974. 493pp.

John Walker. The Once and Future Film: British Cinema in the Seventies and Eighties. Methuen. 1985. 184pp.

Tony Williams. Structures of Desire: British Cinema, 1939-1955. State University of New York Press. 2000. 213pp.



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