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Adaptation (6-Dec-2002)

Director: Spike Jonze

Writers: Charlie Kaufman; Donald Kaufman

Based on a book: The Orchid Thief by Susan Orlean

Producers: Edward Saxon; Vincent Landay; Jonathan Demme

Keywords: Drama

NameOccupationBirthDeathKnown for
Jim Beaver
Actor
12-Aug-1950   Ellsworth on Deadwood
Nicolas Cage
Actor
7-Jan-1964   Leaving Las Vegas
Chris Cooper
Actor
9-Jul-1951   American Beauty
Brian Cox
Actor
1-Jun-1946   The original Hannibal Lecter
Gary Farmer
Actor
12-Jun-1953   Henry & Verlin
Judy Greer
Actor
20-Jul-1975   13 Going on 30
Maggie Gyllenhaal
Actor
16-Nov-1977   Secretary
Curtis Hanson
Film Director
24-Mar-1945   LA Confidential
Gregory Itzin
Actor
20-Apr-1948   President Charles Logan on 24
Doug Jones
Actor
24-May-1960   Pan's Labyrinth
Nancy Lenehan
Actor
26-Apr-1953   Kay Hickey on My Name Is Earl
Ron Livingston
Actor
5-Jun-1967   Peter in Office Space
David O. Russell
Film Director
20-Aug-1958   I Heart Huckabees
Meryl Streep
Actor
22-Jun-1949   The Deer Hunter
Tilda Swinton
Actor
5-Nov-1960   The Deep End

CAST

Nicolas Cage   ...   Charlie Kaufman / Donald Kaufman
Meryl Streep   ...   Susan Orlean
Chris Cooper   ...   John Laroche
Tilda Swinton   ...   Valerie
Cara Seymour   ...   Amelia
Brian Cox   ...   Robert McKee
Judy Greer   ...   Alice the Waitress
Maggie Gyllenhaal   ...   Caroline
Ron Livingston   ...   Marty
Jay Tavare   ...   Matthew Osceola
G. Paul Davis   ...   Russell
Roger Willie   ...   Randy
Jim Beaver   ...   Ranger Tony
Doug Jones   ...   Augustus Margary
Stephen Tobolowsky   ...   Ranger Steve Neely
Gary Farmer   ...   Buster Baxley
Peter Jason   ...   Defense Attorney
Gregory Itzin   ...   Prosecutor
Curtis Hanson   ...   Orlean's Husband
Agnes Badoo   ...   Orlean Dinner Guest
Paul Fortune   ...   Orlean Dinner Guest
Paul Jasmin   ...   Orlean Dinner Guest
Lisa Love   ...   Orlean Dinner Guest
Wendy Mogel   ...   Orlean Dinner Guest
David O. Russell   ...   Orlean Dinner Guest
Bob Stephenson   ...   David
Bob Yerkes   ...   Charles Darwin
Lynn Court   ...   Laroche's Dad
Roger E. Fanter   ...   Laroche's Uncle
Sandra Gimpel   ...   Laroche's Mom
Caron Colvett   ...   Laroche's Wife
Larry Krask   ...   EMT
John Etter   ...   McKee Lecture Attendee
Ray Berrios   ...   Police Officer
Nancy Lenehan   ...   Kaufman's Mother
Harris Mann   ...   Kaufman Twin
Marc Coppola   ...   Kaufman Twin

REVIEWS

Featured review by [[Mark Tapio Kines]]:

When I saw [[@movie::being-john-malkovich-1999]], I had to concede that the movie was just smarter than I was. I knew it was saying something about power, celebrity and identity, but I couldn't exactly say what. And usually when I don't get something, I suspect that there's genius at work. Well, here comes Adaptation, the second collaboration between director [[Spike Jonze|Jonze]] and writer Charlie Kaufman, and... I got it. So it's very good, but not brilliant. The plot, at least part of it: Neurotic screenwriter Charlie Kaufman (played rather tenderly by [[Nicolas Cage]] -- it's one of his best performances) is hired to adapt New Yorker writer Susan Orlean's ([[Meryl Streep]]) nonfiction book The Orchid Thief, a look at John Laroche ([[Chris Cooper]]), an obsessive plant poacher in Florida. Crippled with writer's block, Charlie -- with help from his goofy twin brother Donald (Cage again), tries to make sense of Orlean's unfilmable book, and winds up writing a script about his attempts to write a screen adaptation of The Orchid Thief. You follow?

Had this been literalized, Adaptation would have been a snooze, another tired look at a) The Hollywood Game or b) The Craft of Writing. But Kaufman, as expected, throws in lots of bizarre twists and turns, matched by Jonze's playful (if straightforward) direction and game performances by an obviously top-drawer cast. It's fun, but after a while I realized that, in its very unpredictability, the film became predictable. When Kaufman says at the beginning of the story that he doesn't want to write anything that has guns, car chases, sex or heroes having epiphanies, you know you're going to wind up seeing all of that. But the thing is, the film seems to know that. It's even in the trailer! So you can't win. I still encourage you to check out Adaptation because it's inventive, it's funny, it has one possibly life-changing line of dialogue. It's also fun to try to draw the line between fact and fiction (the real-life Kaufman really was hired to adapt the real-life Orlean's book about the real-life Laroche) while watching. But the film wobbles when Kaufman tries to inject genuine heart into it. Sometimes it works, sometimes it doesn't (especially at the end). The slight insincerity that comes when aiming for pathos in the middle of so much clever-cleverness keeps the film from greatness. But it doesn't keep it from being entertaining. By the way, writers will enjoy this film a lot more than non-writers will.


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