Birthplace: Dublin, Ireland
Location of death: London, England
Cause of death: unspecified
Race or Ethnicity: White
Executive summary: The Persian Prince
Irish-English dramatist, was born at Oxmantown, near Dublin, in 1660, and entered Trinity College in 1676. Two years later he was entered at the Middle Temple, London. His first play, The Persian Prince, or the Loyal Brother (1682), was based on a contemporary novel. The real interest of the play lay not in the plot, but in the political significance of the personages. Tachmas, the loyal brother, is obviously a flattering portrait of King James II, and the villain Ismael is generally taken to represent Shaftesbury. The poet received an ensign's commission in Princess Anne's regiment, and rapidly rose to the rank of captain, but his military career came to an end at the Revolution. He then gave himself up entirely to dramatic writing. In 1692 he revised and completed Cleomenes for John Dryden; and two years later he scored a great success in the sentimental drama of The Fatal Marriage, or the Innocent Adultery (1694). The piece is based on Aphra Behn's The Nun, with the addition of a comic underplot. It was frequently revived, and in 1757 was altered by David Garrick and produced at Drury Lane. It was known later as Isabella, or The Fatal Marriage. The general spirit of his comedies is well exemplefied by a line from Sir Anthony Love (1691) -- "every day a new mistress and a new quarrel." This comedy, in which the part of the heroine, disguised as Sir Anthony Love, was excellently played by Mrs. Mountfort, was his best. He scored another conspicuous success in Oroonoko, or The Royal Slave (1696). For the plot of this he was again indebted to the novel by Behn. In his later pieces "Honest Tom Southerne" did not secure any great successes, but he contrived to gain better returns from his plays than Dryden did, and he remained a favorite with his contemporaries and with the next literary generation. He died on the 22nd of May 1746.
His other plays are: The Disappointment, or the Mother in Fashion (1684), founded in part on the Curioso Impertinente in Don Quixote; The Wives' Excuse, or Cuckolds make themselves (1692); The Maid's Last Prayer; or Any, rather than fail (1692); The Fate of Capua (1700); The Spartan Dame (1719), taken from Plutarch's Life of Aegis; and Money the Mistress (1729).
University: Trinity College Dublin
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