Terminator 3: Rise of the Machines (30-Jun-2003)|
Director: Jonathan Mostow
Writers: John Brancato; Michael Ferris; Tedi Sarafian
Producers: Hal Lieberman; Colin Wilson; Mario F. Kassar; Andrew G. Vajna; Joel B. Michaels
Keywords: Sci-Fi, Time Travel, Robots, Explosions
Second sequel to The Terminator (1984).
|Arnold Schwarzenegger|| ... Terminator|
|Nick Stahl|| ... John Connor|
|Claire Danes|| ... Kate Brewster|
|David Andrews|| ... Robert Brewster|
|Kristanna Loken|| ... TX|
|Mark Famiglietti|| ... Scott Petersen|
|Earl Boen|| ... Dr. Peter Silberman|
|Moira Harris|| ... Betsy|
|Chopper Bernet|| ... Chief Engineer|
|Christopher Lawford|| ... Brewster's Aide|
|Carolyn Hennesy|| ... Rich Woman|
|Jay Acovone|| ... Cop -- Westside Street|
|M. C. Gainey|| ... Roadhouse Bouncer|
|Susan Merson|| ... Roadhouse Clubgoer #1|
|Elizabeth Morehead|| ... Roadhouse Clubgoer #1|
|Jimmy Snyder|| ... Male Stripper|
|Billy Lucas|| ... Angry Man|
|Brian Sites|| ... Bill Anderson|
|Alana Curry|| ... Bill Anderson's Girlfriend|
|Larry McCormick|| ... KTLA Anchorman|
|Robert Alonzo|| ... Jose Barrera|
|Michael Papajohn|| ... Paramedic #1|
|Tim Dowling|| ... Paramedic Stevens|
|Jon Foster|| ... Gas Station Cashier|
|Mark Hicks|| ... Det. Martinez|
|Kim Robillard|| ... Det. Edwards|
|Matt Gerald|| ... SWAT Team Leader|
|William O'Leary|| ... Mr. Smith|
|Rick Zieff|| ... Mr. Jones|
|Rebecca Tilney|| ... Laura the CRS Tech|
|Chris Hardwick|| ... 2nd Engineer|
|Helen Eigenberg|| ... 3rd Engineer|
|Kiki Gorton|| ... Roadhouse Clubgoer #3|
|Walter von Huene|| ... CRS Victim|
|Jerry Katell|| ... CRS Executive|
|George E. Sack, Jr.|| ... Semi Truck Driver|
Review by Reid Fleming (posted on 11-Feb-2005)
A woefully insipid sequel to 1984's groundbreaking The Terminator and its staggering 1991 blockbuster Terminator 2: Judgment Day, newcomer Terminator 3: Rise of the Machines proves itself by far the least imaginative and most derivative chapter of the series.
Completely absent are actress Linda Hamilton (the soul of the first two movies) and author-director James Cameron, who in T2 worked relentlessly to top his original creation. So this time, U-571 director Jonathan Mostow has nothing but scraps and remainders to work with. Rather than add anything substantial to the Terminator saga, the screenwriters have opted simply to connect some of the more painfully-obvious dots intentionally left unexplained by the first two movies. But even this tactic turns out to be an abysmal failure.
Most problematic is the origin of SkyNet, the artificial intelligence bent on obliterating humankind. It had always been a mystery where this malevolent force came from. And so it remains. In a horrendous bait-and-switch, Rise of the Machines sheds absolutely no light on this. Instead, witness the Pentagon foolishly unleash an Internet worm on its (surprisingly homogenous) internal network. Watch as all of their secret autonomous weaponry programs come to life and begin hunting the horrified DoD researchers who engineered them. So where did the human-hating A.I. come from? An Internet worm. All right, but where did the worm originate? We are never given even a single hint.
Also troubling is John Connor's psychological triple-reverse against his mother, Sarah (who is conspicuously absent, even from flashbacks). T2 began with a teenaged John's sudden and horrible realization that his institutionalized mom really wasn't crazy -- all of her ravings about a war between the humans and machines and his preordained role as the leader of the resistance had been prophetic. But by the time T3 shambles onto the screen, the grown-up John Connor has experienced a change of heart: now he's back to believing his mom actually was crazy. So it takes another visit from a time-traveling cyborg for him to re-recognize the error of his ways. So much for that hard-won realization from the second movie.
Perhaps worst of all is the film's antagonist: yet another Terminator model, this time the T-X -- an underwhelming fembot played by the Scandinavian actress Kristanna Loken. Nowhere near as menacing as either Arnold Schwarzenegger's bulky T-101 or Robert Patrick's crafty, shape-shifting T-1000, the T-X is nevertheless supposed to include feature improvements over both those machines. But Arnold always seems to hold his own against the diminutive Loken despite her (apparently minor) upgrades, and her momentary victories against the obsolete T-101 feel contrived.
In the end Terminator 3: Rise of the Machines is unable to satisfy, having nothing to offer but leftovers and recycled gimmicks from the first two movies.
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